This exhibition is dedicated to Catalonia. For ten years I have painted near the Spanish border in the town of Ceret. Politically it is French, but romantically it will always remain Catalan. Picasso discovered it in the early part of the Twentieth Century and invited his friend Georges to talk Cubism. A wave of artists followed.
I began in ancient, complex Ceret. Like a Cubist, I was able to explore it from many aspects and directions. This intimacy gave me the freedom to embellish or simplify my subject to better describe it. The ever present Pyrenees increased my awareness of space even in the crowded town. They encourage a frequent change of vantage point to better observe from a distance or from across the street.
Then, I moved to Barcelona. The old heart of the city, La Rambla, replaced Ceret. In contrast, my neighbourhood had little to say about itself from the street. Once inside however, I opened the shutters to be astounded by a rear view of houses; a landscape of balconies festooned with laundry and Catalan flags, crammed with planters, bicycles and furniture. Fascinated, I observed from a distance as the ever changing light altered this display. Now with a fixed vantage point, my sense of space diminished like the shallow balconies before me. They begged to be described as flat simple shapes.
I feel privileged to paint in such an artistically active location. While Brune, Manolo, Soutine and Chagall, to name but a few, found inspiration in Ceret, Matisse perfected Fauvism in nearby Collioure, Dali formulated Surrealism across the border at Portlligat and Gaudi introduced Art Moderne to Barcelona. Catalonia has its fertile ghosts that continue to inspire and encourage my return to this evocative place. |
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